? Plenty of bubbly: The Wine Curmudgeon has not mentioned the news reports over the past several months heralding a Prosecco shortage, mostly because the “shortage” made my reporter’s stomach hurt. It’s the just the kind of “news” that offers an excuse for price increases — coincidentally, as the euro drops — and it turns out my hunch wasn’t far from the truth. The head of the Prosecco consortium, which oversees production of the Italian sparker, told Wine Business Monthly that supply increased almost 18 percent in 2014, and that there is no shortage. “We call on those who write, market and educate people about wine to do their part to inform the public about what Prosecco represents as a specific wine of place year,” he said.
? Deciding what is sweet: Sweet wine is making an impression in Canada as well as the U.S., as Bill Zacharkiw writes in the Montreal Gazette: “There still seems to be some confusion about the role of sugar in wine, as many of these emails ask what the relationship is between residual sugar and quality. But there are other interesting questions as well.” Which he answers quite intelligently, noting the same thing that I have found. It’s not sweetness itself that is the problem with sweet wine, but how badly made too many sweet wines are. Says Zacharkiw: “I cast no judgment here. In the end, you choose what you want to drink. I simply want people to know the facts, and believe you should have access to all the information in order to make an informed choice.” Couldn’t have said it better myself.
? Fix the label: Remember how those “artisan” spirits were going to fight to the bitter end the lawsuits accusing them of not being especially artisan? Templeton, the Iowa producer using whiskey from Indiana, has settled, and I would expect more settlements to follow now that a precedent has been set. The Templeton co-founder said his whiskey’s marketing ?should have provided more clarity,” in one of those wonderful understatements that I so enjoy. Hopefully, the wine industry, with its artisan and hand-crafted claims for brands that make hundreds of thousands of cases, is paying attention.
? Because we’re better than you are: The Wine Spectator reports that the next big grape will be cabernet franc, mostly because of its “gossamer structure.” The Wine Curmudgeon has absolutely no idea what this means, because, as the article points out, I’m one of the many who aren’t hip enough to appreciate the grape. Plus, there are cabernet franc wines at trendy places in Manhattan. Plus, quotes from sommeliers. Need we say more? This is the kind of wine writing that makes me grit my teeth, knowing I still have so much work to do.
? Something besides the usual: The always erudite Andrew Meggitt writes that wine drinkers should not limit themselves to the usual, but should be willing to experiment with wine made with different grapes and from regions that aren’t California. And, somehow, he doesn’t use the word gossamer once. Meggitt, the winemaker at Missouri’s St. James, has been working wonders with norton for more than a decade, and also recommends vignoles, chambourcin, and riesling. Maybe I can introduce him to the writer at the Spectator.
? Bring on the attorneys: How else to explain this sentence? “Beam Suntory ?s lawyers have argued that a reasonable consumer would understand that having ‘handmade’ on a label does not infer that no machines were used throughout the entire production process.” No wonder my mother wanted me to go to law school — you can make words mean what they don’t, and get paid lots of money for it. This is from yet another deceptive label spirits lawsuit, arguing that it’s not possible for a multi-million case brand to be handmade or handcrafted or artisan. So far, the suits target spirits, but the Wine Curmudgeon’s advice makes sense: Don’t wait for a judge to tell you to change your labels.