Barefoot wine review 2019: The cabernet sauvignon and chardonnay have a dollop or three of residual sugar, but otherwise taste like they should
This is the 12th Barefoot wine review I’ve written, and one thing is as aggravating today, for Barefoot wine review 2019, as it was 12 years ago: No screwcap. Why E&J Gallo, Barefoot’s owner, still uses a cork closure on most of its labels is beyond me. The only time these wines are “aged” is after they’re opened, when they sit in the refrigerator for another day. A screwcap would make that kind of aging so much easier.
The Barefoot wine review 2019 features the non-vintage cabernet sauvignon ($5, purchased, 12.5%) and the non-vintage chardonnay ($5, purchased, 13%). Both, save for a dollop or three of residual sugar, are among the best Barefoot efforts in years. Yes, that’s damning with faint praise, given the quality of the wines in many of the previous reviews. And their sweetness left that dried out feeling in my mouth for 20 or 30 minutes after tasting. But that Barefoot varietal wines taste like their varietal is worth noting. Put a couple of ice cubes in the glass, and the wines are certainly drinkable, if too simple and not very subtle.
The cabernet tastes of dark berry fruit (boysenberry?), and there are soft tannins, a certain acidity, and restrained fake oak. No chocolate cherry foolishness here, though the sweetness gets more noticeable with each sip and may annoy wine drinkers who expect cabernet to be dry.
The chardonnay, ironically, is less sweet than the cabernet. Take away the sugar, and it’s a pleasant California-style chardonnay — almost crisp green apple fruit, that chardonnay style of mouth feel, and just enough fake oak to round out the wine. There’s even a sort of finish, which was about the last thing I expected. Once again, though, the sweetness gets in the way — would that Barefoot had the courage of its convictions to make a dry wine dry.
The Naia verdejo is $10 Spanish white wine that speaks to the great quality and value of Spanish white wine
A couple of years ago, not even wine geeks paid much attention to verdejo, a Spanish white grape. Today, though, verdejo is showing up more often; hence, prices are often way out of line with quality, while cute labels are all over the place to make up for the lack of quality. Through all of this, the Naia verdejo has been a beacon of consistency and value.
The Naia vedejo ($10, purchased, 13.5%) reminds us of the tremendous value in Spanish wine. It tastes of tart lemon, as it should, but there is also an undercurrent of tropical fruit (pineapple?) that you don’t usually get in a $10 verdejo. It’s not so much that it’s very well done, but that the producer understands the role of $10 wine – that it’s not supposed to cost $15 just because.
Highly recommended, and a candidate for the 2020 $10 Hall of Fame. And yes, dad will enjoy this over the weekend, whether it’s porch sitting while his family celebrates Father’s Day or as something to sip while grilling chicken or shrimp.
If anything, the four wines that were sold in the U.S. before the producer lost its importer in 2018 are even a little better than before. The white blend and the rose were always top notch, but the chardonnay and the sauvignon blanc – often inconsistent – are much improved.
Here’s a look at each of the wines, made in France’s Gascony region. There’s also a new one, a sweetish, riesling-style white. The wines are imported by Frederick Wildman & Sons; all are highly recommended:
• Domaine Tariquet Classic 2018 ($10, sample, 10.5%): Fresh, crisp, and low in alcohol – how often does that happen? This vintage’s fruit is a little more lemon-lime than white grapey, but that’s just the wine geek in me. Buy a couple of cases of this white blend, keep them chilled, and enjoy.
• Domaine Tariquet Chardonnay 2018 ($10, sample, 12.5%): This was probably the best of the three whites, which is saying something since it was usually boring and could even be a little off. But this vintage was crisp and aromatic, with almost green apple and a little tropical fruit. If anything, it sort of tasted like chardonnay from France’s Macon, which is always a touchstone of inexpensive quality.
• Domaine Tariquet Sauvignon 2018 ($10, sample, 11.5%): Much better than past vintages, which tended to taste like New Zealand kockoffs. This time, though, the wine had a bit of a grassy aroma, not too much citrus, and a certain Gascon fruitiness.
• Domaine Tariquet Rose 2018 ($10, sample, 12.5%): This pink wine is dry but not Provencal in style. Look for darker fruit, less zippiness on the finish, and a little heft in the mouth. But it’s not heavy so that it’s a rose for red wine drinkers, and so sits somewhere between the Bieler Provencal rose and the Charles & Charles from Washington state.
• Domaine Tariquet Les Premières Grives 2018 ($17, sample, 11.5%): Professionally sweet, with an almost honeyed finish and mostly balanced. It’s a different and interesting wine, in the style of a German just-sweet riesling like a kabinett. The only question: Is it worth $17?
The Brumont tannat-merlot shows the tannat grape to its best advantage in a delicious $10 wine
During a recent Skype tasting for the American Wine Society, someone asked me about tannat. It’s a red grape, very geeky, best known in South America. When it’s made as a varietal wine, the result is often hard, tannic, and not all that enjoyable. But when it’s blended, like the Brumont tannat-merlot from Gascony in France, it can be a wine of the week.
I’ve tasted three bottles of this vintage of the Brumont Tannat-Merlot ($10, purchased, 13.5%) over the past three years, and each one has been different. Who knew there would be such a variation in bottle age for a $10 wine?
But that’s the tannat at work, and it’s also worth noting that the 2015 is the vintage in most stores. As such, the third tasting was a delight – some of the tannat’s heartiness was still there, but the rough edges were gone, softened by the merlot. But this is not a soft wine – there’s not any hint of sweetness or too ripe black fruit (blackberry?), and the tannins and acidity remain part of the wine’s still complete structure. Hence, a food wine, and ideal for summer barbecue, burgers, and especially bratwurst.
Highly recommended, and a candidate for the 2020 $10 Hall of Fame.
The Chateau Bonnet Blanc reminds us of the greatness inherent in cheap when the producer truly cares
The greatest testament to Chateau Bonnet’s wines and founder Andre Lurton’s vision is that this bottle of Chateau Bonnet Blanc was three years old, but still tasted fresh — and may even more interesting than it was when it was released. How often does that happen with $10 wine?
There is a 2018 version, apparently, though it and the 2017 have not made it to Dallas yet. In fact, I’ve resisted buying this vintage for just that reason. How could any $10 wine, even one as well made as the Chateau Bonnet Blanc ($10, purchased, 12.5%) hold up this long?
Highly recommended, and I’m sure – even without tasting them – that the 2017 and 2108 are just as delicious. And toast Andre Lurton, who died this month at the age of 94, for advancing the cause of well-made wine that anyone can afford to buy.
Reviews of wines that don’t need their own post, but are worth noting for one reason or another. Look for it on the fourth Friday of each month. This month, six rose reviews 2019 in honor of the blog’s 12th annual rose fest.
• La Galope Comté Tolosan Rose ( $10, purchased, 12%): Once again, $10 buys quality rose — this, time from the French region of Gascony. There is a little tart cherry fruit, some flintiness, and it’s fresh, and clean. Highly recommended. Imported by Bridge Imports
• Gianni Masciarelli Rosato 2017 ($11, purchased, 12.5%): Beautiful, zesty, and refreshing, this Italian pink shows off montepulciano, not all that common as a rose grape. Highly recommended, and an example of how rose technical quality has improved so dramatically that some older vintages remain delicious. Imported by Vintus
• Moulin de Gassac Guilhem Rose 2017 ($10, purchased, 12.5%): This French pink, made mostly with grenache, is yummy and delicious — another 2017 that has more than held up (though the 2018 is available in some areas). Surprising structure and depth, with tart strawberry fruit and crisp, fresh, and minerally on the finish. Highly recommended. Imported by Pioneer Wine Co.
• Paul Mas Cote Mas Aurore 2017 ($10/1 liter, purchased, 12.5%): This is more than competent, Provence-style rose (barely ripe red fruit, a hint of garrigue, clean finish) in a liter bottle, so there are two extra glasses. What more do we need? (The 2018 should be available in some areas.) Imported by Espirit du Vin
• Castle Rock Pinot Noir Rose 2018 ($10, sample, 13.5%): The kind of California wine that used to be common, but now is but a distant memory — well-made but affordable and decent availability. Look for a little orange zest to go with the barely ripe strawberry fruit.
So know, as we celebrate the blog’s 12th annual Memorial Day and rose extravaganza, that there is a lot of rose out there looks pink. But that doesn’t necessarily mean it’s going to taste like the dry rose we’ve taught the world to love.
In fact, as rose-maker extraordinaire Charles Bieler told me this spring, no-self respecting Big Wine company is going to let rose pass it by. Hence, some of them are making two, three, and even four labels to make sure they don’t miss any of the sales momentum. In this, there’s some talk among wine business types that rose is saving wine from the worst effects of premiumization, and that its popularity is boosting sales that otherwise would be even more flat than they already are.
So yes, there’s lots of plonk out there, which I know because I’ve tasted so much of it. How about thin? How about bitter? How about tannic? How about sweet? To paraphrase Joseph Conrad (though he was probably more of a vodka man): “The horror! The horror!”
But not when it comes to the roses reviewed this post and in tomorrow’s post. These are all cheap, delicious, and rose in style and honesty. What else would you expect from the Wine Curmudgeon?
Prices this year are a touch higher than last year, but there is still plenty of terrific rose for less than $15. Also, don’t overlook the blog’s rose primer, which discusses styles, why rose is dry, how it gets its pink color, and why vintage matters. This year, vintage isn’t quite as important as in the past, and many 2017s should still be wonderful. That’s because technical quality, traditionally a problem with rose, has improved and the wines don’t fall apart like they used to. But still be wary of anything older than two or years, and especially it isn’t pink any more. Brown wine isn’t worth drinking, no matter how little it costs.
For more suggestions, check out the rose category link, which lists 12 years of rose reviews. Today, six standout roses we’ve come to know and appreciate — each highly recommended. Tomorrow, six more roses worth drinking:
• Bonny Doon Vin Gris de Cigare 2018 ($15, sample, 13.5%): The most interesting of Randall Grahm’s California pink of the past several years. It’s more Provence in style, with barley tart strawberry fruit, and even fresher. Honest wine from an honest producer does matter.
• Mont Gravet Rose 2018 ($10, purchased, 12.5%): This French rose is made with cinsault, a terrific grape for pink wine. It’s fresh, bright, and crisp – with more depth than the 2017 and better quality fruit. Plus, the red fruit (berries) taste likes red fruit and not soda pop. Imported by Winesellers, Ltd.
• Bieler Père et Fils Sabine Rose 2018 ($10, purchased, 13%): The cabernet sauvingon in the blend gives this Provencal wine a little more structure, depth, and body this year, as well as a little darker flavor (almost blackberry?). As it ages, the caberrnet should go to the back and more red fruit will come to the front. Imported by Bieler et Fils
• Pedroncelli Dry Rosé of Zinfandel 2018 ($12, sample, 13.5%): One of the most consistent and enjoyable California pinks, and also made in a darker style (cranberry, blackberry?) that lots of people try but few succeed with. In this, it tastes like rose and not red wine.
• Angels & Cowboys Rose 2018 ($15, purchased, 12.8%): This California effort, always one of my favorites, is much more subtle this vintage, with a wisp of strawberry fruit and not much else. Still enjoyable and interestingly different.
• Charles & Charles Rose 2018 ($10, purchased, 12.6%): This Washington state rose, from Chalres Bieler and Charles Smith, is fresh and crisp, with tart strawberry and orange fruit and a very clean finish. All in all, another exceptional effort.