The blog is mostly off today for the holiday, but will return on Tuesday with our usual features. That includes an update later in the week on the Wine Curmudgeon’s annual visit to the Kerrville Fall Music Festival.
Until then, the theme song from the 1970s cop show “Baretta,” featuring Sammy Davis Jr., a cockatoo, and sage advice: “Don’t do the crime if you can’t do the time.” (Video courtesy of MrBigrose11 at YouTube.)
Reviews of wines that don ?t need their own post, but are worth noting for one reason or another. Look for it on the final Friday of each month. This month, four more wines for Labor Day.
? No l Bougrier Muscadet 2012 ($8, purchased, 13%): This French white wine, a private label for the Total Wine chain, was tart and sour, with little varietal character. Muscadet, made with the melon de bourgogne grape, should be light and refreshing. This reminded me of bad cheap French wine in the old days.
?Stoller Dundee Hills Pinot Noir 2012 ($25, sample, 13.8%): Delicious Oregon pinot noir, with berry flavors, zingy tannins, and as balanced as it should be. A fine value, even at this price. Highly recommended, and another example of the fallacy of scores. It scored 86 on CellarTracker, the blog’s unofficial wine inventory app, while the barely drinkable Bourgier scored 88.
? Deccolio Prosecco NV ($13, sample, 11%): This extra dry Prosecco is not too sweet, which is saying something. Extra dry is sweeter than brut, the most dry, and can be almost syrupy. It’s well put together with lemon fruit, a little minerality, and better bubbles than I expected. But extra dry cava will give you the same thing for a couple of dollars less, as will something like La Marca Prosecco.
? Villa Maria Pinot Noir Private Bin 2012 ($15, sample, 13%): A wine I desperately wanted to like, but that shows again Villa Maria’s fall from grace. This New Zealand red is nothing but sweet cherry fruit, without any pinot character.
? A to Z Pinot Gris 2013 ($13, purchased, 13%): Delightful, fresh Oregon-style pinot gris with ripe melon fruit and a little citrus (lime?) that offers terrific value whether porch sipping or with food. I don’t know that I’ve had an A to Z wine that didn’t enjoy or want to buy again.
?Pedroncelli Zinfandel Mother Clone 2012 ($17, sample, 14.8%): Nicely done California zinfandel from Dry Creek in Sonoma with dark jammy fruit, lots of oomph, and some black pepper. Nice rendition of the post-modern style for those who appreciate this sort of thing, and will pair with barbecue and burgers.
? Pierre Morey Bourgogne-Aligot 2011 ($20, purchased, 11%): Not cheap, unfortunately, but this white wine from Burgundy in France that isn’t chardonnay is exceptionally well made. Look for white pepper and a bit of lemon fruit, and it’s just enough different from chardonnay so that someone who is paying attention will notice.
? Muga Rosada 2013 ($10, purchased, 13%): This Spanish rose, made with grenache, is annually one of the best roses in the world. It’s always very crisp, and this year features tart strawberry fruit. Highly recommended, and a $10 Hall of Fame wine.
Finally, the Wine Curmudgeon’s regular appeal to try your local wine. Dave McIntyre and Mike Wangbickler (the past and present of Drink Local Wine) and I went through a dozen or so Texas wines during one fine Saturday afternoon of tasting earlier this month. Almost all of them were worth drinking again — even the ones I didn’t think I would like. Thanks to Haak, Llano Estacdo, McPherson, and William Chris for supplying the wines.
I was especially impressed with the William Chris sparkling blanc du bois ($30, sample, 11%), which was bubbly, citrusy, and quite fresh. It was a bit simple for the price, but William Chris never seems to have a problem selling its wines.
The wine panel at the Kerrville Fall Music Festival is at 3:30 p.m. on Aug. 30, where we’ll talk about Texas red wine. No doubt the Wine Curmudgeon will get in a spirited discussion with one of the panelists about the price-value ratio of Texas cabernet sauvignon and merlot, and that we should be making reds from tempranillo, sangiovese, and Rhone grapes instead.
The winery lineup this year is as good as it gets in the state, with eight of the top producers. We’re doing reds on the panel in honor of Rod Kennedy, the Kerrville founder, Texas music impresario, and local wine guy, who died last year.
The cheap wine book signing is from 5:30-8 p.m. on Aug. 29 at Four.0, the winery tasting room on Hwy. 290 outside of Fredericksburg. Stop by and say hello, buy a book (or three), and taste some terrific Texas wine.
In the old days, which in wine means the end of the 20th century, sauvignon blanc came in three styles — California, French, and New Zealand. Each tasted like sauvignon blanc, but was just enough different from each other to be noticeable. Some time after that, the first two styles started to merge toward the third, so that most sauvignon blanc tasted like grapefuit. That’s because the New Zealand style was about as trendy as trendy gets, and we know how the wine business loves a trend.
Fortunately, the styles have started moving back to where they used to be, and especially in California. I’ve tasted a variety of delightful California sauvignon blanc over the past 18 months, where grassiness — the smell of a freshly-cut lawn — is the predominant note. There is also citrus and tropical fruit, but those don’t overwhelm the grassiness, and the wines are refreshing and enjoyable.
A fine example of this change is the Line 39 ($10, purchased, 13.5%), which has worked its way from New Zealand to California over the past several years. In this, it was always more than adequate, but has improved the more California in style that it has become. The 2012, which is apparently the current vintage though a bit old, is grassy, with lime fruit and rich mouth feel. All of this makes it more than just another grocery store sauvignon blanc. Highly recommended, and a candidate for the 2015 $10 Hall of Fame.
This year, the Wine Curmudgeon has been overwhelmed with some of the most bizarre wine press releases ever. That I have not written the greatest rant in the blog’s history is because cooler heads prevailed. As several people said, “Jeff, no one cares about this but you.”
Perhaps. But several recent releases are worth noting regardless:
? State stores forever! New Hampshire is one of 17 control states, where the government sells beer, wine, and spirits or some combination thereof, and there aren’t privately-owned retailers. This has always seemed odd given the state’s almost libertarian politics — “Live Free or Die,” after all — and that contradiction does not bother the state’s liquor board. It dispatched a release touting the Washington Post’s endorsement of New Hampshire as “the best state in the country for wine drinkers.” That it was one man’s opinion, and not the newspaper’s, and that the piece had several errors (wine prices are not skyrocketing) didn’t seem to bother the board either. Or that you can buy wine in a grocery store from 6 a.m.-2 a.m. seven days a week in California. Or that Segura Viudas cava costs one-third less in Texas than it does in New Hampshire. My question: How much money did the board spend on the release, when it could have spent the money on cutting wine prices? (Hat tip to Tim McNally for sending this my way, who lives in New Orleans and knows a few things about the best states to drink in.)
? Roll out the barrels: The battle over oakiness in wine seems over, and those of us who prefer restraint seem to have won. Nevertheless, multi-national Diageo sees a market for very oaky wines, and has launched a brand called Woodwork — “delivering prominent oak influence.” Overlook the writing (the wine “celebrate[s] those who work hard to endlessly pursue their passions”) and this release is a revelation. Diageo admits the wine is made with wooden staves instead of an oak barrel, a common practice in cheap wine but rarely acknowledged. In this, the point of the wine is not winemaking, but adding wood flavor. That honesty is as refreshing as it is unbelievable. (Hat tip to W. Blake Gray for sending this my way; he expects the wine to be a big seller.)
? It’s EPICA! Does someone really get paid for writing this stuff? “EPICA Wines, the adventurous brand that inspires epic lifestyles, has announced the launch of the 2013 Malbec from Mendoza, Argentina. Aimed at millennials, EPICA Malbec was created to capitalize on the growing interest for the Argentinian grape.” Who knew malbec was an adventurous grape? Or that there was growing interest in it? I always thought it was one of the most popular grapes in the world, the fifth biggest import to the U.S. and one that has been around for decades. But then, my lifestyle is hardly epic.
Because it’s not enough to make piles of money in the wine business anymore. You also have to be seen as local and accessible, and these multi-nationals (the eighth- and ninth-biggest producers in the U.S.) see crowdsourcing as the way to make them cuddly and artisan-like. Ask your customers for their advice about making wine, and how can they — and the rest of the wine world — not love you?
The Wine Curmudgeon can’t decide if this is incredible marketing or one of the most cynical things I’ve ever seen in the wine business, where cynical things are a dime a dozen. On the one hand, it’s a clever use for social media, which big companies have a hard time doing well. There aren’t too many opportunities for cute pet pictures on a multi-national Facebook page. And the crowdsourcing is certainly no scam — the companies have been honest and upfront about what’s going on.
On the other hand, it could be malarkey to make P.T. Barnum proud. Columbia Crest is making 1,000 cases of high-end cabernet sauvignon from its effort, not much when you consider its annual production is almost 2 million cases and it normally does 5,000 of this particular wine. La Crema churns out almost 1 million cases a year; it hasn’t announced how much the project will produce. First its crowd has to decide between chardonnay and pinot noir.
Plus, given the odds that each crowd could decide to make really crappy wine even with the best of intentions, how much input will it really have? Yes, each company says its winemaker will do exactly as instructed, but given how little most of us know about winemaking and how complicated it is, what are the chances of that happening? Because Columbia Crest and La Crema could turn into the wine industry’s version of New Coke if the wine turns out to be undrinkable, and one doesn’t get to be one of the 10 biggest producers in the U.S. by doing a New Coke.
There is one thing I am thankful for, crowdsoucing veteran that I am. At least the companies didn’t ask for cash to help pay for production, which is the most typical use for crowdsourcing — Kickstarter, Indiegogo, and the like. That would have been too much to deal with, even for the Wine Curmudgeon.